Original album design by Mick Haggerty art direction by Jeff Ayeroff & Mick Haggerty photography by Herb Ritts. Re-issued on CD in 1993 in Japan (Virgin, VJCP-23156). Original elpee features lyrics innersleeve. Released on elpee, CD and cassette on June 1988 in the UK and Hong Kong (Virgin, V/CDV/TCV-2532), the US (Virgin, V2-90946/-4), Canada (Virgin, VL/VL4-2532), Germany (Virgin, 209.165.630), Greece (Virgin, VG 50373) and Yugoslavia (Jugoton, LSVIRG73254) reached #4 on the UK charts and #1 on the US charts (RIAA certified double platinum record on November 28, 1988). Winwood met his second wife, Eugenia Crafton, at a Junior Walker show in 1986 at the Lone Star Café in New York.Executive producer: John Clarke production coordination by Lee Charteris. Produced by Steve Winwood and Tom Lord Alge engineered and mixed by Tom Lord Alge (tambourine on track 1). Steve Winwood (vocals, Fairlight programming, drums, bass guitar, guitar, piano, Hammond organ, Moog bass, keyboards, Mini Moog, horn arrangements), Bashiri Johnson (percussion), Mike Lawler (keyboards), The Memphis Horns (horn arrangements, featuring: Wayne Jackson – trumpet, trombone, Andrew Love – tenor sax), Tessa Niles (backing vocals), John Robinson (drums), Mark Williamson (backing vocals) with Jimmy Bralower (drum machine, percussion), Robby Kilgore (keyboards), Paul Pesco (guitar). Hearts On Fire (Steve Winwood/Jim Capaldi) (5:14)Īll songs written by Steve Winwood and Will Jennings unless noted. Don’t You Know What The Night Can Do? (6:53)ī2. And so will you, provided you’re not expecting more than those three hits and a handful of warm ballads and pop songs delivered in the cool contrivance of late 80s studio frankensteinery popularized by Phil Collins, Howard Jones and others.ī1. Of course, Virgin wasn’t paying him $12-$13 million to make an artistic statement they wanted hits and they got what they paid for here. Strip away the gloss provided by the hired studio hands and this is Talking Back To The Night part two. Yet the album is in many ways an artistic step back from BITHL, favoring synthetic white soul over the exotic and uplifting music of his last record. That track, “Holding On” and “Don’t You Know What The Night Can Do” gave Winwood three more big hits and continued to make him an 80s radio mainstay. The opening title track, which nicks Junior Walker’s “(I’m A) Roadrunner” (original songwriters Lamont Dozier, Brian Holland and Eddie Holland were later given a credit on the song) kicks the album off on a grand note. Steven Lawrence Winwood is most famous for his solo work, including two number one hits Higher Love and Roll with It, and for being the member of two supergroups, Traffic and. Whether you believe him or not, Roll With It is the very modern model of a big hit record complete with all the trimmings including, this time, the Memphis Horns. All the while maintaining that he didn’t feel the pressure to make a big hit record with Roll With It, which is likely a lot of hokum. He had gone on tour, divorced his wife, won just about every meaningful Grammy, re-married, became a father, dumped Island for a shiny new multimillion-dollar contract with Virgin, turned 40 and topped the charts with another multiplatinum record, Roll With It. The album Roll with It was also nominated as Album of the Year.Kronomyth 6.0: ROLLING IN IT. The song "Roll with It" was nominated for two Grammy Awards in 1989, Record of the Year and Best Male Pop Vocal performance. In the United Kingdom, the song reached No. 1 on the Billboard mainstream rock chart. It topped the Billboard adult contemporary chart for two weeks, and also spent four weeks at No. 1 on the Billboard Hot 100 singles chart in the summer of 1988. Publishing rights organization BMI later had Motown songwriters Holland-Dozier-Holland credited with co-writing the song due to its resemblance to the Junior Walker hit " (I'm a) Roadrunner". It was written by Winwood and songwriter Will Jennings. About "Roll with It" is a song recorded by Steve Winwood for his album, Roll with It, released on Virgin Records.
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